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![]() Laurie Hill’s new film 'Photograph of Jesus' recently won the 2009 McLaren Award for New British Animation at EIFF.
Laurie gained a BA in English at Royal Holloway, an MA in English at Kings College London and a BA in Art at Chelsea College of Art and Design as well as working for nine years as an information designer for a mainframe computer firm before embarking on an MA in Animation from the Royal College of Art in London from which he graduated in 2006. He is now a multi-award winning short film director whose work has been screened at international festivals all over the world, ranging across four continents – from USA and Canada to Spain, France, Finland and Germany to Singapore and Taipei to Australia.
Laurie was also a finalist in the Jerwood Moving Image Awards 2008, won the Getty Images / Short & Sweet short film Challenge 2008 as well as being selected for the Bloomberg New Contemporaries 2007. In addition to directing his own shorts, Laurie has worked with some of the most talented people in the commercial and music industry. He answers some questions for us, below: Your connection to the British Council? The British Council have supported me on their Festival Submission Scheme with my last three films. They've also helped me with travel expenses when I've attended the CFC Worldwide Short Film Festival in Toronto and, more recently, Tampere Film Festival in Finland.
What/who originally turned you onto film? I've been hooked on film since I was a child really - it probably started with an ancient black and white tv set in my bedroom. But as for making it myself, that was quite a gradual process. I'd been fiddling around with video cameras a bit when I could get hold of them at art college - they were in short supply - but things took a leap forward when I borrowed a friend's old super-8 camera just to play around with and discovered the single frame setting. I bought a few rolls of Tri-X and away I went!
Career high so far?
Favourite British film?
I admire and enjoy other people's films but don't really have many envious thoughts about them - I'm always thinking about the hard work involved. Possibly the last film I saw that I thought looked like immense fun was Peter Jackson's King Kong remake - I remember seeing Skull Island and thinking 'yeah this guy's loving the opportunity to go wild with this crazy place and fill it with weird monsters'. I've done an 'island filled with creatures' film myself with My First Taste Of Death - on a slightly different scale perhaps, but I could appreciate where he was coming from!
What’s the first film you ever saw? I've consulted my Mum on this and she says it was probably Robin Hood at the Odeon in Norwich.
Hmmm ... I don't have anything that I have to watch over and over obsessively but I confess I'm a bit of a sentimental fool when it comes to 'emotional moments of realisation and change'. It's all there in that Mary Poppins scene where the chimney sweep is singing to the banker father and you see his attitude beginning to change - it's in his face and voice - the perfect setup for a climactic blub-fest with Let's Go Fly A Kite. Likewise at the end of Buffalo 66 when Vincent Gallo changes his revenge-fuelled direction and sees other possibilities. He's straight off to the shop to buy his girl some treats! And Eternal Sunshine Of The Spotless Mind when Carey's memory is being erased but he wants to escape - typically mind-blowing magic from Gondry. Alternatively, there's Mulholland Drive for disconcerting moments of anxiety and terror. Maybe Zoolander when I want some laugh-my-socks-off silliness. It's a walk-off!
Favourite screen kiss?
Who would play you in the film about your life?
<< Back to previous pagePublished August 4, 2009
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